A few weeks ago I received a sneak peek of Blithfield’s new collection, the Winthrop. Minutes later I found myself trying the swatches around my house: cushions, walls, perhaps an upholstered headboard? That could only mean one thing: I loved it.
Following the style of previous collections, Blithfield keeps the perfect balance between traditional and contemporary. I find all the patterns and colours so versatile and easy to use in many different styles and schemes.
The Winthrop collection is comprised of eight exciting new designs. Aylesbury and Chauvet are elegant jacquards in sumptuous colours based on antique embroideries. Anoushka, a jewel tone paisley, and Simsbury, a classic floral, are complemented by colourfully textured geometrics, Amesbury, Colby, Compton and Windsor Stripe. The new designs expand on Blithfield’s tradition of beautifully printed and woven fabrics in a distinctive colour palette, inspired by documents from around the world.
Below you can find some of my favourites. I like them all but if I have to choose one, that has to be the pink/blue Anouschka ( which I’m trying to figure out where I can use it!)
Even if you look very closely you will find it very hard to see that Zaida Sabatés immaculate marble, brass or tortoiseshell is faux.
Based in Barcelona, this decorative painter uses traditional techniques to achieve results that are nearly as good as the real thing.
Without forgetting the past and tradition, Sabatés looks at the present adapting classical decorative painting to current trends. In her portfolio you can find decoration for public and private spaces, old stucco recovering, painting and restoring furniture or the creation of scenographies for cinema, theatre or events.
Zabatés believes that decorative painting can be as classic or as contemporary as one wants and couldn’t agree more with her.
In a short period of time, Claire de Quénetain has achieved something that for many can take a lifetime: a signature and unmistakable style.
French-born Claire de Quénetain graduated from the prestigious Royal College of Art before setting up her own printmaking studio. Working across prints and textiles, her patterns mix light watercolour shades with bold dashes of colour to add a painterly feel to any space.
Inspired by flowers such as hortensias and lupines, her latest collection ‘Hortense’ showcases a range of fabrics and paintings that transform any room into a utopian garden.